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TWITTER BY September 22 DALI 'IN MILAN

Dali at the Palazzo Reale in Milan, in a meeting with Disney cartoon

Salvador Dali

LONDON - After 50 years returned to Milan one of the most important European artists of the twentieth century. On 22 September it was opened at the Palazzo Reale exhibition "Salvador Dalí. The dream is approaching, "curated by Vincenzo Trione, sponsored by the City of Milan - Culture and produced by the Royal Palace with 24 HOURS Culture - GROUP 24 HOURS. Through 56 works, the exhibition explores the relationship between the English surrealist artist and the landscape, the desire, the dream, but also opens a window to the world of Dalí, little-known yet fascinating. At the end of the exhibition, in fact, you can see a short film never shown in Italy, Destiny, a collaboration with Walt Disney Dali.
DALÍ AND THE CINEMA - Born 20 years experience in the early Dadaist and influenced by psychoanalysis, surrealism art explores the unconscious man, preferring been like a dream, hallucination, imagination, 'illusion. The film, in addition to painting, it seems capable of going beyond the known and to reveal the "surreal", made up of reality and dream. Several members of the movement test themselves well with the camera. Dali with Luis Buñuel's Un chien andalou signature before (1929) and then L'âge d'or (1930): allusive images follow one another without any real narrative logic. But not only the avant-garde film to attract Dalí. It is the film itself, in fact, to be surreal: "I came to Hollywood and want to meet three great American surrealists: the Marx Brothers, Cecil B. DeMille and Walt Disney, "wrote André Breton in 1937. For the artist, folk art and cutting edge may coincide. Dalí binds it to Harpo Marx, developing an idea for the famous brothers ever made a feature film. Collaborated in 1945 to the dream sequence of Spellbound Alfred Hitchcock could only be understood with the English who talked of his films as "daydreams." Finally meets Walt Disney. The two like each other. It will look like: so much of themselves as promoters of their works, devoted to his work, mixing romantic fantasies to a specific plan, "realistic". And so in 1946, Dalí became employed at Disney luxury.

COOPERATION WITH DISNEY - Dalí stamping the card for about three months from 9 to 5. The idea is to produce a short film to be included in an episodic film. The music choice is a Mexican ballad, Destiny , discarded for the movie The three Caballerros . Disney envisions the story of a girl in search of his love, Dalí leads the protagonist in a labyrinthine space-time, playing with the metamorphosis from animation allowed. They are produced drawings, sketches, storyboards. But the short film ever, perhaps because the era of episodic film is over, perhaps because the project is too "experimental", perhaps because they lack the money. Disney and Dalí cease their employment relationship, but continue to staff.